Born in Sakarya in 1991, Seda Boy graduated from the Department of Ceramic and Glass Design at Mimar Sinan Fine Arts University in 2017. Boy’s artistic practice is grounded in a conceptual framework positioned along the tension between form and meaning. The rhythmic structure produced by symbolism through repeated forms emerges in her work as both an aesthetic and intellectual tool.

Boy’s works focus on the social, cultural, and political ramifications of issues generated by human agency. By bringing together different materials, she gives form to these ramifications while constructing a multilayered narrative that reconfigures memory, space, and time. This narrative positions the viewer not merely as an observer, but as an active participant in a process of thought.

Ceramics constitute a foundational ground in Boy’s practice; however, this ground expands through interaction with contemporary media such as photography, video, performance, and sound. This hybrid structure creates an aesthetic field that transforms sensory perception and questions the boundaries of representation. Moving beyond the object itself, Boy’s works investigate the invisible layers that emerge within the relationship between the viewer and the artwork.

Beyond an inward inquiry, the artist’s practice proposes a collective confrontation with social memory. Oscillating between temporal layers, these works open up a space for reconsideration at both individual and cultural levels.